"Visionary in its experimental merging of the primitive with advanced digital technology... a series of incredibly active soundfields" - The Wire "The music here has a rare elegance, its evolution taking place in near-silence." - Eye Weekly, Toronto "A strange environmental and almost mystical soiree... Beauty pervades immensity and light years." - The Improvisor
Delicate Paths Sarah Peebles with Evan Parker, Nilan Perera, Suba Sankaran unsounds 42U	108 – Walking through Tokyo at the turn of the century Sarah Peebles, soundscapes Christie Pearson, photos Post Concrète records
Gathering Smash and Teeny with John Butcher Spool Field 5	Suspended in Amber Sarah Peebles with Takashi Harada, Kazue Mizushima, Kô Ishikawa, Hiromi Yoshida and Ikuo Kakehashi innova 506
Insect Groove Sarah Peebles with Kô Ishikawa, Jin Hi Kim, Nilan Perera and David Toop Cycling 74	Yesterday is Now The War, 55 Years after Japan's Surrender video by Celine Rumalean. Soundtrack by Evan Parker, David Toop, Sarah Peebles, Nilan Perera, Jin Hi Kim Moving Images Distribution
whose forest? CD compilation	Hover Cinnamon Sphere Nilan Perera, Sarah Peebles, Chung Gong Ha
Kaladar Kodex Cinnamon Sphere videos	Musicworks \| for curious ears (#111, Winter 2011) Full Article pdf here. Visions of Sound feature online: Sarah Peebles’ Audio Bee Booth CD includes Peebles’ Condo Living, Lift and Hive Study no. 3
The Tree Museum Catalogue 2011 - 2012 Items May Shift Sound Installations Guest Curator Earl Miller Essays by Earl Miller, Simone Jones and Gayle Young Pollination Wunder Station (pp 9-10 & 18-19)	Physics Room (Annual 2003) 108:Walking through Tokyo at the Turn of the Century
Terra Nova Journal (MIT Press) "Music from Nature", special Terra Nova Journal issue with compilation CD (Summer, 1997) - Includes "Nocturnal Premonitions" (Peebles, 1994; see Reviews) "Music from Nature - A Terra Nova Concert Festival" also took place at The Kitchen, January 23-24, 1998 with performances by Peebles, David Toop, Doug Quin, Jaron Lanier and David Rothenberg; and sound installation by Andra McCartney and Patrick Moore.	Musicworks (#66, Fall 1996) Article with audio examples on accompanying CD: "High-tech versus My-tech: Developing systems for electro-acoustic improvisation and composition" -- on adapting music industry-oriented technology for experimental forms and creating multi-layered improvisational systems.

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