"Visionary in its experimental merging of the primitive with advanced digital technology... a series of incredibly active soundfields"
- The Wire
"The music here has a rare elegance, its evolution taking place in near-silence."
- Eye Weekly, Toronto
"A strange environmental and almost mystical soiree... Beauty pervades immensity and light years."
- The Improvisor
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In the Canopy
Meditations from Paparoa and Kapiti Island
Sarah Peebles
Pan110 Panospria | notype
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Music for Incandescent Events:
Audio for Skyscapes around Sunset and Sunrise
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Delicacies in the Garden of Plenty
Sarah Peebles, Kyle Brenders & Nilan Perera
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Delicate Paths
Sarah Peebles with Evan Parker, Nilan Perera, Suba Sankaran
unsounds 42U
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108 – Walking through Tokyo
at the turn of the century
Sarah Peebles, soundscapes
Christie Pearson, photos
Post Concrète records |
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Gathering
Smash and Teeny with John Butcher
Spool Field 5
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Suspended in Amber
Sarah Peebles
with Takashi Harada, Kazue Mizushima,
Kô Ishikawa, Hiromi Yoshida and Ikuo Kakehashi
innova 506
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Insect Groove
Sarah Peebles
with Kô Ishikawa, Jin Hi Kim, Nilan Perera
and David Toop
Cycling 74
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Yesterday is Now
The War, 55 Years after Japan's Surrender
video by Celine Rumalean. Soundtrack
by Evan Parker, David Toop, Sarah Peebles,
Nilan Perera, Jin Hi Kim
Moving Images Distribution
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whose forest?
CD compilation
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Hover
Cinnamon Sphere
Nilan Perera, Sarah Peebles, Chung Gong Ha
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Kaladar Kodex
Cinnamon Sphere videos
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The Tree Museum Catalogue 2011 - 2012
Items May Shift Sound Installations
Guest Curator Earl Miller
Essays by Earl Miller, Simone Jones and Gayle Young
Pollination Wunder Station (pp 9-10 & 18-19)
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Terra Nova Journal
(MIT Press)
"Music from Nature", special Terra Nova Journal issue with compilation CD (Summer, 1997) - Includes "Nocturnal Premonitions" (Peebles, 1994; see Reviews)
"Music from Nature - A Terra Nova Concert Festival" also took place at The Kitchen, January 23-24, 1998 with performances by Peebles, David Toop, Doug Quin, Jaron Lanier and David Rothenberg; and sound installation by Andra McCartney and Patrick Moore.
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Musicworks (#66, Fall 1996)
Article with audio examples on accompanying CD: "High-tech versus My-tech: Developing systems for electro-acoustic improvisation and composition" -- on adapting music industry-oriented technology for experimental forms and creating multi-layered improvisational systems.
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Physics Room (Annual 2003)
108:Walking through Tokyo at the Turn of the Century
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